However, there is no doubting the ferocious anxiety that fuels this image of writhing torment. In its gargantuan reincarnation in the present work, the horror of the original has been transformed into something more religious, as the two central interlinked bodies are stretched to take on this vast crucifixion like form on the new epic scale, hence the title.ĭalí had begun planning Soft Construction with Boiled Beans (Premonition of Civil War) as early as 1934, before the start of the Civil War, and changed the title retrospectively to make himself seem more prescient. By taking Dalí's original and painting it on a new, vast scale that dwarfs the one metre by one metre original, and by stretching it vertically, Brown has augmented that torment. His famous Soft Construction with Boiled Beans (Premonition of Civil War) from 1936 is now in the collection of the Philadelphia Museum of Art, and is one of the most recognised of Dalí's pictures.

Looking at the sheer scale of this work, it is incredible to think of the bravura of the artist, years before his first one-man exhibition, creating something so revolutionary on a scale so colossal.Īs the title implies, this work is based on one of the masterpieces of the Spanish Surrealist, Salvador Dalí. This issue, which was later resolved, highlighted the cuttingedge methods and methodology that Brown used in his paintings. When it was included in the Here and Now exhibition at the Serpentine Gallery in 1994, it instantly caused a controversy when the estate of Salvador Dalí sued for copyright infringement, resulting in the removal of Brown's pictures from the show. With its breathtaking scale, incredible attention to detail and extraordinary conceptual premise, Dalí-Christ (after Soft Construction with Boiled Beans: Premonition of Civil War 1936 by Salvador Dalí) By kind permission of the Gala-Salvador Dalí Foundation, Spain is an iconic work of Young British Art, which featured in several of the major shows of the movement including the seminal Sensation exhibition at the Royal Academy in 1997.

Glenn brown prints